<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>s/pores &#187; art</title>
	<atom:link href="http://s-pores.com/tag/art/feed/" rel="self" type="application/rss+xml" />
	<link>http://s-pores.com</link>
	<description>new directions in singapore studies</description>
	<lastBuildDate>Tue, 10 Jan 2012 03:02:36 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.2</generator>
		<item>
		<title>Sketches from Prison</title>
		<link>http://s-pores.com/2011/06/sketches/</link>
		<comments>http://s-pores.com/2011/06/sketches/#comments</comments>
		<pubDate>Sun, 19 Jun 2011 09:12:28 +0000</pubDate>
		<dc:creator>s/pores</dc:creator>
				<category><![CDATA[9 the arts II]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[political detention]]></category>

		<guid isPermaLink="false">http://s-pores.com/?p=1201</guid>
		<description><![CDATA[Teo Soh Lung Teo Soh Lung is author of Beyond the Blue Gate: Recollections of a Political Prisoner (2010). She was arrested on 21 May 1987 on the allegation of being part of a &#8216;Marxist Conspiracy&#8217; and detained without trial under the Internal Security Act.]]></description>
		<wfw:commentRss>http://s-pores.com/2011/06/sketches/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Seventies: Transition from Cultural Desert to Global City</title>
		<link>http://s-pores.com/2011/06/the-seventies/</link>
		<comments>http://s-pores.com/2011/06/the-seventies/#comments</comments>
		<pubDate>Sun, 19 Jun 2011 08:56:43 +0000</pubDate>
		<dc:creator>s/pores</dc:creator>
				<category><![CDATA[9 the arts II]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[globalisation]]></category>
		<category><![CDATA[literature]]></category>
		<category><![CDATA[nation-building]]></category>
		<category><![CDATA[poetry & prose]]></category>

		<guid isPermaLink="false">http://s-pores.com/?p=1197</guid>
		<description><![CDATA[Robert Yeo This is a personal essay to remember and chart my experience as a writer in the context of Singapore’s development, during the decade 1970-79, from cultural desert to global city. I will try to make connexions and generalizations which will, I hope, not seem too sweeping. “Only connect,” wrote E.M. Forster, and that [...]]]></description>
		<wfw:commentRss>http://s-pores.com/2011/06/the-seventies/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Theatre and its Publics, and Everything Else</title>
		<link>http://s-pores.com/2011/06/theatre-and-its-publics/</link>
		<comments>http://s-pores.com/2011/06/theatre-and-its-publics/#comments</comments>
		<pubDate>Sun, 19 Jun 2011 04:36:14 +0000</pubDate>
		<dc:creator>s/pores</dc:creator>
				<category><![CDATA[9 the arts II]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[civil society]]></category>
		<category><![CDATA[theater]]></category>

		<guid isPermaLink="false">http://s-pores.com/?p=1171</guid>
		<description><![CDATA[Richard Chua The late Singapore theatre practitioner William Teo served tea to audience members in every evening performance. Kuo Pao Kun used to stand at the front of house of his theatre productions greeting and giving out programme booklets to audience members. These acts of hospitality are not just – in modern Singapore&#8217;s context – [...]]]></description>
		<wfw:commentRss>http://s-pores.com/2011/06/theatre-and-its-publics/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>of love, and sweets</title>
		<link>http://s-pores.com/2011/06/of-love-and-sweets/</link>
		<comments>http://s-pores.com/2011/06/of-love-and-sweets/#comments</comments>
		<pubDate>Sun, 19 Jun 2011 03:23:47 +0000</pubDate>
		<dc:creator>s/pores</dc:creator>
				<category><![CDATA[9 the arts II]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[cultural politics]]></category>
		<category><![CDATA[postcolonial]]></category>

		<guid isPermaLink="false">http://s-pores.com/?p=1243</guid>
		<description><![CDATA[John Low The legitimacy, rationality, psychology, technical expertise, training, education and history of the artist-person; in effect, everything that marks him out as an individual professional with a right to his own stakes and claims in society is, with one fell swoop, cast off on to the rubbish heap of irrelevance. Is it really any [...]]]></description>
		<wfw:commentRss>http://s-pores.com/2011/06/of-love-and-sweets/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Meaning/Making A Circuit Of Cheo Chai-Hiang’s The Story of Money</title>
		<link>http://s-pores.com/2011/06/meaning-making/</link>
		<comments>http://s-pores.com/2011/06/meaning-making/#comments</comments>
		<pubDate>Sun, 19 Jun 2011 03:22:16 +0000</pubDate>
		<dc:creator>s/pores</dc:creator>
				<category><![CDATA[9 the arts II]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[cultural politics]]></category>

		<guid isPermaLink="false">http://s-pores.com/?p=1148</guid>
		<description><![CDATA[Isabel Ching First published in Cheo Chai-Hiang, The Story of Money, 2010, catalogue The Story of Money shows in Hong Kong with adjustments to the exhibition hall as specified by the artist. A frontal wall has been built such that one can only enter via its central opening. Flanking the entryway on each side is [...]]]></description>
		<wfw:commentRss>http://s-pores.com/2011/06/meaning-making/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Learning to Adapt: Dave Chua and Koh Hong Teng’s Gone Case</title>
		<link>http://s-pores.com/2011/06/learning-to-adapt/</link>
		<comments>http://s-pores.com/2011/06/learning-to-adapt/#comments</comments>
		<pubDate>Sun, 19 Jun 2011 02:15:00 +0000</pubDate>
		<dc:creator>s/pores</dc:creator>
				<category><![CDATA[9 the arts II]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[literature]]></category>
		<category><![CDATA[pop culture]]></category>

		<guid isPermaLink="false">http://s-pores.com/?p=1142</guid>
		<description><![CDATA[Gwee Li Sui There is a case to be made for a literary impression that adaptation is the most difficult sub-genre in the field of comics. Any attempt to give Dave Chua and Koh Hong Teng’s Gone Case: A Graphic Novel its proper critical evaluation does well to keep this point in mind. The first [...]]]></description>
		<wfw:commentRss>http://s-pores.com/2011/06/learning-to-adapt/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Review: Realism in Asia</title>
		<link>http://s-pores.com/2010/12/realism/</link>
		<comments>http://s-pores.com/2010/12/realism/#comments</comments>
		<pubDate>Thu, 23 Dec 2010 13:05:21 +0000</pubDate>
		<dc:creator>s/pores</dc:creator>
				<category><![CDATA[8 intellectuals]]></category>
		<category><![CDATA[art]]></category>

		<guid isPermaLink="false">http://s-pores.com/?p=1065</guid>
		<description><![CDATA[Lim Cheng Tju Yeo Wei Wei (ed.). Realism in Asia, Volume One. Singapore: The National Art Gallery, 2010. 88 pages. A rather curious volume. Realism In Asia Vol 1 is the accompanying publication to the Realism In Asian Art show that ran at the Singapore Art Museum from April to July 2010. The show is [...]]]></description>
		<wfw:commentRss>http://s-pores.com/2010/12/realism/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Culture and the Arts &#8216;After&#8217; Kuo Pao Kun</title>
		<link>http://s-pores.com/2010/03/after-kuo-pao-kun/</link>
		<comments>http://s-pores.com/2010/03/after-kuo-pao-kun/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 02:25:27 +0000</pubDate>
		<dc:creator>s/pores</dc:creator>
				<category><![CDATA[6 the arts I]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[cultural politics]]></category>

		<guid isPermaLink="false">http://s-pores.com/?p=849</guid>
		<description><![CDATA[C. J. W.-L. Wee The Artists&#8217; General Assembly (AGA) – a week-long arts festival organised by both The Artists&#8217; Village and the 5th Passage Artists Ltd. – took place from 26 December 1993 to the early hours of 1 January 1994, at the then-5th Passage Gallery at the Parkway Parade Shopping Centre in Marine Parade. [...]]]></description>
		<wfw:commentRss>http://s-pores.com/2010/03/after-kuo-pao-kun/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>For wolfnotes</title>
		<link>http://s-pores.com/2010/03/for-wolfnotes/</link>
		<comments>http://s-pores.com/2010/03/for-wolfnotes/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 02:24:02 +0000</pubDate>
		<dc:creator>s/pores</dc:creator>
				<category><![CDATA[6 the arts I]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[literature]]></category>

		<guid isPermaLink="false">http://s-pores.com/?p=788</guid>
		<description><![CDATA[Lee Tzu Pheng wolfnotes, a firstfruits exhibition We owe a considerable debt to Enoch for his trust and vision, his belief in the art of literature, which is what we are celebrating in this exhibition, wolfnotes. I see in this exhibition a way of affirming that literature&#8217;s roots are in the other arts even as [...]]]></description>
		<wfw:commentRss>http://s-pores.com/2010/03/for-wolfnotes/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Third Stage</title>
		<link>http://s-pores.com/2010/03/third-stage/</link>
		<comments>http://s-pores.com/2010/03/third-stage/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 02:23:16 +0000</pubDate>
		<dc:creator>s/pores</dc:creator>
				<category><![CDATA[6 the arts I]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[cultural politics]]></category>
		<category><![CDATA[political detention]]></category>

		<guid isPermaLink="false">http://s-pores.com/?p=854</guid>
		<description><![CDATA[Wong Souk Yee The theatre company Third Stage was formed in 1983 by a group of drama dabblers who wanted to see life in Singapore played out on the local stage in all its glory and decay. They felt that drama in English in post-colonial Singapore had arrived at its third stage of development. They [...]]]></description>
		<wfw:commentRss>http://s-pores.com/2010/03/third-stage/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;But there is nothing here to shoot…&#8221;</title>
		<link>http://s-pores.com/2010/03/nothing-here/</link>
		<comments>http://s-pores.com/2010/03/nothing-here/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 02:21:53 +0000</pubDate>
		<dc:creator>s/pores</dc:creator>
				<category><![CDATA[6 the arts I]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[social memory]]></category>

		<guid isPermaLink="false">http://s-pores.com/?p=892</guid>
		<description><![CDATA[Tay Kay Chin Jeff Chouw is a dangerous and crazy man, the sort that you probably will avoid, or at least be advised to stay far away from. If you were to run into him in the &#8216;happening&#8217; side of Geylang, you will automatically assume that he is a seedy man there for unsavoury reasons. [...]]]></description>
		<wfw:commentRss>http://s-pores.com/2010/03/nothing-here/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Raising the Subject</title>
		<link>http://s-pores.com/2010/03/raising/</link>
		<comments>http://s-pores.com/2010/03/raising/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 02:18:51 +0000</pubDate>
		<dc:creator>s/pores</dc:creator>
				<category><![CDATA[6 the arts I]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[cultural politics]]></category>
		<category><![CDATA[political detention]]></category>

		<guid isPermaLink="false">http://s-pores.com/?p=776</guid>
		<description><![CDATA[Jason Wee Editors: this essay was originally written for the catalogue of Raised, a mini-art carnival that was part of the Singapore Art Show 2007 [see postscript]. See the Raised blog for documentation by the project artists, Amanda Heng, Shenu Hamidun, Siti Salihah bte Mohd Omar, Sriridya Nair, Nurul Huda Farid, Joshua Yang, Justin Loke [...]]]></description>
		<wfw:commentRss>http://s-pores.com/2010/03/raising/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>First-World Economy, Third-World Culture</title>
		<link>http://s-pores.com/2010/03/third-world-culture/</link>
		<comments>http://s-pores.com/2010/03/third-world-culture/#comments</comments>
		<pubDate>Fri, 19 Mar 2010 02:10:46 +0000</pubDate>
		<dc:creator>s/pores</dc:creator>
				<category><![CDATA[6 the arts I]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[policy]]></category>

		<guid isPermaLink="false">http://s-pores.com/?p=846</guid>
		<description><![CDATA[Michelle Loh First-World Leaders Every year, after the examination results come out, many graduating students in the top five junior colleges in Singapore would receive bundled information on various scholarship schemes. They must decide which scholarship to apply for, which will then determine their career paths for the next ten years. After they bag a [...]]]></description>
		<wfw:commentRss>http://s-pores.com/2010/03/third-world-culture/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interpreting National Language Class</title>
		<link>http://s-pores.com/2007/04/national-language-class/</link>
		<comments>http://s-pores.com/2007/04/national-language-class/#comments</comments>
		<pubDate>Tue, 10 Apr 2007 13:52:03 +0000</pubDate>
		<dc:creator>s/pores</dc:creator>
				<category><![CDATA[1 inauguration]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[cultural politics]]></category>
		<category><![CDATA[economic development]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[multiculturalism]]></category>

		<guid isPermaLink="false">http://s-pores.com/?p=63</guid>
		<description><![CDATA[Daniel PS Goh Nowadays, being forty-one years of age marks the middle of one’s life. It can be a time for reflection on what we have achieved and what we want to do in the remaining future. It can also be a time for denial, when the past is consumed as mere nostalgia and the [...]]]></description>
		<wfw:commentRss>http://s-pores.com/2007/04/national-language-class/feed/</wfw:commentRss>
		<slash:comments>9</slash:comments>
		</item>
	</channel>
</rss>

