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	<title>s/pores &#187; films</title>
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	<description>new directions in singapore studies</description>
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		<title>Censure and Censor</title>
		<link>http://s-pores.com/2010/03/censure-and-censor/</link>
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		<pubDate>Fri, 19 Mar 2010 02:13:34 +0000</pubDate>
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				<category><![CDATA[6 the arts I]]></category>
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		<description><![CDATA[Loretta Chen
An edited extract from the author&#8217;s PhD thesis, Contra-indications: Corporeality, Iconicity and Representation in Singapore Lesbian Theatre

A recent media episode ignited much (on-line) dissent amongst the Singaporean lesbian community albeit in a quiet, unobtrusive manner. Starhub Cable Vision (SCV) was fined by the Media Development Authority (MDA) for airing a commercial for a song [...]]]></description>
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		<title>Whose invisible city? Articulating Singapore’s pasts in Invisible City</title>
		<link>http://s-pores.com/2008/01/invisible/</link>
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		<pubDate>Wed, 09 Jan 2008 16:39:03 +0000</pubDate>
		<dc:creator>s/pores</dc:creator>
				<category><![CDATA[2 archives & memory]]></category>
		<category><![CDATA[cultural politics]]></category>
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		<category><![CDATA[films]]></category>
		<category><![CDATA[social memory]]></category>

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		<description><![CDATA[Hong Lysa

‘In preparation/preparedness for being forgotten’, (beiwanglu, 备忘录 ) the Chinese title for Tan Pin Pin’s Invisible City (2007) involves an overlapping process, both bracing oneself for that inevitability yet also doing what one can to forestall memories from being lost. Tan Pin Pin’s camera documents individuals who in varying phases of their lives have [...]]]></description>
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