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	<title>s/pores &#187; social memory</title>
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	<description>new directions in singapore studies</description>
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		<title>&#8220;But there is nothing here to shoot…&#8221;</title>
		<link>http://s-pores.com/2010/03/nothing-here/</link>
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		<pubDate>Fri, 19 Mar 2010 02:21:53 +0000</pubDate>
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				<category><![CDATA[6 the arts I]]></category>
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		<category><![CDATA[social memory]]></category>

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		<description><![CDATA[Tay Kay Chin
Jeff Chouw is a dangerous and crazy man, the sort that you probably will avoid, or at least be advised to stay far away from. If you were to run into him in the &#8216;happening&#8217; side of Geylang, you will automatically assume that he is a seedy man there for unsavoury reasons. In [...]]]></description>
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		<title>Approaching Life and Death: History and Memory in Interviews With Individuals Formerly Suffering from Leprosy in Singapore</title>
		<link>http://s-pores.com/2008/01/leprosy/</link>
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		<pubDate>Wed, 09 Jan 2008 18:28:18 +0000</pubDate>
		<dc:creator>s/pores</dc:creator>
				<category><![CDATA[2 archives & memory]]></category>
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		<category><![CDATA[oral history]]></category>
		<category><![CDATA[social memory]]></category>

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		<description><![CDATA[Loh Kah Seng
In the interviews I did in 2005 at the Singapore Leprosy Relief Association (Silra) Home with individuals who formerly suffered from leprosy is a statement which keeps returning to me, reminding me of the complex relationship between history and memory. The words came from two of the Home’s residents, good friends Lim Ah [...]]]></description>
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		<title>Whose invisible city? Articulating Singapore’s pasts in Invisible City</title>
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		<pubDate>Wed, 09 Jan 2008 16:39:03 +0000</pubDate>
		<dc:creator>s/pores</dc:creator>
				<category><![CDATA[2 archives & memory]]></category>
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		<category><![CDATA[films]]></category>
		<category><![CDATA[social memory]]></category>

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		<description><![CDATA[Hong Lysa

‘In preparation/preparedness for being forgotten’, (beiwanglu, 备忘录 ) the Chinese title for Tan Pin Pin’s Invisible City (2007) involves an overlapping process, both bracing oneself for that inevitability yet also doing what one can to forestall memories from being lost. Tan Pin Pin’s camera documents individuals who in varying phases of their lives have [...]]]></description>
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		<title>Huang Kaide&#8217;s &#8216;Our Memories&#8217;</title>
		<link>http://s-pores.com/2007/04/our-memories/</link>
		<comments>http://s-pores.com/2007/04/our-memories/#comments</comments>
		<pubDate>Tue, 10 Apr 2007 14:06:10 +0000</pubDate>
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				<category><![CDATA[1 inauguration]]></category>
		<category><![CDATA[exhibition]]></category>
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		<category><![CDATA[social memory]]></category>

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		<description><![CDATA[Introduced and translated by Kwee Hui Kian

Born and raised in Singapore, Huang Kaide is an award-winning poet and prose writer. He has published Tiao si wei zhi 跳死为止 (1995), Xiu ding ban 修订版 (1996), Dai zhi 代志 (2004). In recent years, he has also explored writing short stories, and most pertinently from the perspective of [...]]]></description>
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