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s/pores journal

New directions in Singapore studies.

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Author: s/pores

Posted on March 2022April 2022

Editorial: Endless Farewell, Hello Again by CT Lim

Posted on March 2022March 2022

Who Exactly is Chris Ho/X’Ho?? by Joseph Tham

Posted on March 2022March 2022

‘No Mean Task’: The Subversive Lightness of Chris Ho’s ‘Pop Life’ by Yeow Kai Chai

Posted on March 2022March 2022

Let’s hear it for these boys by Chris Ho

Posted on March 2022March 2022

Review of Chris Ho’s Adventures in YinYao EP by Joseph Tham

Posted on February 2022March 2022

Talk: Visualizing Marginality

Posted on December 2021December 2021

New look for s/pores

Posted on September 2021March 2022

Editorial: Bicentennial 2019 Biennale

Posted on September 2021December 2021

Preview of Raffles Renounced: Towards a Merdeka History

Posted on September 2021December 2021

Updating the Narrative: a Dialogue Between the Former Coloniser and Colonised by Sai Siew Min

Posted on September 2021December 2021

Redoing and Undoing the Colonial Pageant: Dialogues with the Raffles Statues by Faris Joraimi

Posted on September 2021December 2021

Are You One of Them? – Music for Everyone: Variations on a Theme by Joseph Tham

Posted on September 2021December 2021

Looking at Song-Ming Ang at the National Museum, Singapore by Cecily Cheo

Posted on August 2021December 2021

International Oral History Association Virtual Conference 2021

Posted on January 2021December 2021

Launch of Raffles Renounced: Towards a Merdeka History

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Founded in 2007, the s/pores e-journal is one of the earliest online platforms for Singapore studies. Following an updated look for the website in December 2021, it seemed important that the earlier web aesthetics of s/pores be preserved.

An archive of the e-journal may be viewed at https://spores.wordpress.com, which maintains s/pores' original appearance from its founding in 2007 until its 20th issue in September 2021.

s-pores.com from 2007-2021
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