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s/pores journal

New directions in Singapore studies.

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Tag: music

Posted on March 2022March 2022

Who Exactly is Chris Ho/X’Ho?? by Joseph Tham

Posted on March 2022March 2022

‘No Mean Task’: The Subversive Lightness of Chris Ho’s ‘Pop Life’ by Yeow Kai Chai

Posted on March 2022March 2022

Let’s hear it for these boys by Chris Ho

Posted on March 2022March 2022

Review of Chris Ho’s Adventures in YinYao EP by Joseph Tham

Posted on September 2021December 2021

Are You One of Them? – Music for Everyone: Variations on a Theme by Joseph Tham

Posted on September 2021December 2021

Looking at Song-Ming Ang at the National Museum, Singapore by Cecily Cheo

Posted on November 2018December 2021

Looking at ‘d’ art: Fab or fad? by Alvan Yap

Posted on August 2013March 2022

Review of LUCIFUGOUS (X’HO + ARCN TEMPL) by Senile Dementia

Posted on October 2012December 2021

Introduction: Pop Culture in Singapore by Chua Beng Huat

Posted on October 2012December 2021

Review of Catacombs by X’Ho

Posted on October 2012December 2021

Review of Sun Worshipper (Ujikaji Records, Singapore) by Joseph Tham

Posted on October 2012December 2021

A Stone’s Throw Away by Leslie Low

Posted on October 2012December 2021

Shaun’s Home Parties: A Photo Essay, with Introduction by Lim Cheng Tju

Posted on June 2011December 2021

Review: Singapura Uber Alles

Posted on March 2010December 2021

National Songs Revisited

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Founded in 2007, the s/pores e-journal is one of the earliest online platforms for Singapore studies. Following an updated look for the website in December 2021, it seemed important that the earlier web aesthetics of s/pores be preserved.

An archive of the e-journal may be viewed at https://spores.wordpress.com, which maintains s/pores' original appearance from its founding in 2007 until its 20th issue in September 2021.

s-pores.com from 2007-2021
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